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"Past the age of fifty, Velasquez
stopped painting definite things.
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He hovered around objects
with the air, with twilight,
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catching in his shadows
and airy backgrounds...
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the palpitations of colour...
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which formed the invisible core
of his silent symphony.
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Henceforth,
he captured only...
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those mysterious interpenetrations of
shape and tone that form a constant,
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