Rezultatele cautarii de subtitrari pentru Inspector Morse

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Hoe kom je er dan?
- Lopend.

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Alsjeblieft, Sheila.
Ik heb al zulke zere voeten.

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Had jij ook niet langer
in Waddeson willen blijven?

4
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Welnee, je kon daar nergens zitten.
- Je wordt oud.

5
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Dit is het Martyrs Memorial.
Hier werden protestantse martelaren verbrand.

6
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Morgen begint daar de rondleiding.

7
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Hier is ons hotel. De kruiers staken,
dus we moeten zelf onze koffers dragen

Note : non standard Latin chars (like Greek, Chinese, Hebrew etc) may look garbled on the web page but the subtitles should be perfectly valid and usable once downloaded.

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00:02:07,600 --> 00:02:10,717
Charlie, waar ga je heen?

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Vicky, waar gaat hij heen?
-Geen idee. Weet jij het, John?

2
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Kom, Marilyn.

3
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Gaat het?
-Ja, prima. H?, schat?

4
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Dat was de heftigste...
-Wacht maar tot vrijdag.

5
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Het kan nooit zo tof zijn als vanavond.
Beter kan niet.

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Zo leuk?
-lk heb dorst.

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Vanavond was echt super.
-Je bent nog helemaal high.

8
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lk zag de wereld zoals die echt is.
lk weet het n

Note : non standard Latin chars (like Greek, Chinese, Hebrew etc) may look garbled on the web page but the subtitles should be perfectly valid and usable once downloaded.

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? HAYDN: Op 76, No.3 String Quartet

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(Chattering)

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RADlO: That broadcast brings to an end
the present series of string quartets.

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Radio 3 Iisteners on medium wave

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wiII now rejoin Brian Johnston and his team
of commentators at Lord's for Test Match SpeciaI

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- and the afternoon session of EngIand...
(Radio off)

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RADlO: WeIcome back to Lord's.
We're at the end of the Iuncheon intervaI.

8
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We had ajoIIy good Iun

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..making Arnold Hardy...

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(Buzz of conversation)

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..then that idiot Dickie Bird
gets his light meter out...

4
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..can only have four wives, surely?
The rest are concubines.

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..they shall have to review what they had initially.

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(High-pitched electronic whistling)

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(Voices become muffled)

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(Whistling changes pitch and distorts)

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00:00:45,56

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? Blues

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(Typewriter keys click)

3
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(Key in lock)

4
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No!

5
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l say l will not see him.

6
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lf thine eye offend thee, pluck it out.

7
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Let there be light.

8
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Have you got the key?

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Yeah.

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Thank you.

11
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- All right, was it?
- Mind your own business.

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MOZART: Concerto No.1

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(Pneumatic drill)

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(Cement mixer)

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(Hammering)

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(Phone rings)

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Come in.

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Sir?

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Flu.

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Sir?

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Lewis was saying you had a touch of er...

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flu.

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Right.

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When I was wondering where you were.

14
00:02:43,560 --

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(Distant bells)

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(Car horns)

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GUlDE: This street's caIIed St GiIes

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and there's been a fair here every September
since the MiddIe Ages.

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The whoIe road is bIocked for days.

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AMERlCAN: How do people get around?
- They waIk.

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Give us a break, Sheila. My feet are killing me.

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I shouId have Iiked Ionger

9
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at Waddesdon myself, wouldn't you, Phil?

10
00:00:46,680 --> 00:00:51,

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(Phone rings)

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Yes?

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Don't go tonight.

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I beg you, Rosemary, pIease.

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Don't go.

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You're drinking again.

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Don't go, Rosemary.

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l'll come home.

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Please.

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(Rosemary hangs up)

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(Coughs)

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MAN: HeIIo, Ros

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? Tape plays Ain't Misbehavin'

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? No-one to talk with

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? All by myself

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? No-one to walk with

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? But l'm happy on the shelf

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? Ain't misbehavin'

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? Savin' my love for you

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? For you, for you

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? For you

10
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? l know for certain

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? The one

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? WAGNER: Götterdämmerung

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? Wi�t ihr

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? Wie das ward?

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? O ihr, der Eide

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? Heilige Hüter!

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? Lenkt euren Blick auf mein blühendes Leid

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? Erschaut eure ewige Schuld!

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? Meine Klage...

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You're not going to really let him
put up this Rajput palace, are you?

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A lot o