Search Movie Subtitles results for Godard

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Downloaded From www.AllSubs.org

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Sometimes,
reality is too complex

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for oral communication

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But legend embodies it
in a form

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which enables it to spread
all over the world

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It was 24.17, Oceanic Time

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00:02:34,020 --> 00:02:36,511
when I approached
the suburbs of Alphaville

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Silence. Logic.
Security. Prudence

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My paper reserved
a room for me:

9
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-You are?
-lvan Joh

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Permitan presentarme

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soy un hombre rico, un hombre de buen
gusto

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hace mucho tiempo que merodeo,

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volé a más de uno sus almas y su fe

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estaba allí cuando Jésus-Christ

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dudó y sufrió,

7
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cuando Pilate se lavó las manos

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encantado de conocerte

9
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espero que conjeturen mi nombre

10
00:03:39,528 --> 00:

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Winner of the Golden Lion
at the 1983 Venice Film Festival,

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and of a Special Award for
Sound and Cinematography.

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It's in me, in you...
It makes terrible waves...

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FIRST NAME: CARMEN

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I don't know much, but I know that
the innocent don't control this world...

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We'll go on, if possible.

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I'm not scared, but it's
because I never could...

8
00:00:45,357 --> 00:00:46,727

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On page five, the agreement says:

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The producers must examine

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any object or subject,

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ordinary or extraordinary,

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in any field,

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according to their actions or ideas,

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making sure to identify

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any existing trace

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of what we have agreed to call art...

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...to finally discov

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Do you know the ten historical
propositions about the Old Testament?

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No.

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Scholem's text

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says a tradition exists
concerning truth

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00:01:21,360 --> 00:01:23,715
and that it is transmissible.

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I laugh.

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The truth in question here

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has many properties.

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Being transmissible
isn't one of them.

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What

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CONTEMPT

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It's based on the novel
by Alberto Moravia.

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It features Brigitte Bardot
and Michel Piccoli.

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Jack Palance and Giorgia Moll, too.

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And Fritz Lang.

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Raoul Coutard did the photography.

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Georges Delerue wrote the score.

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The sound was recorded
by William Sivel.

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Agnes Guillemot did the editing.

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Four stories by four writers who
confine themselves to recounting

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the gay beginning of
the end of the world.

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The modern man is very often
oppressed by indescribable anguish,

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00:00:50,326 --> 00:00:54,571
and facing the daily problems his
unconscious mind suggests him

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a refuge which had once protected
and nurtured him: the mother's womb.

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For this man who has lost
his own personality,

7
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even love bec

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Argos, Svenskfilmindustri,
Sandrews, Anouchka...

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...present in light and shadow...

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...one of the 121 French language
films of which only 3 or 4 get made

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MASCULIN FEMININE

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Never do...

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...two glances meet...

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...no trace...

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...of life, silence...

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...emptiness...

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.

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The French working class
won't politically unite

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nor go to the barricades

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just for a 12% rise in wages.

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In the foreseeable future,
there will be

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no capitalist crisis great enough

6
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for the workers to fight
for their vital interests

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by a general revolutionary strike

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or an armed revolt.

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00:00:32,800 --> 00:00:38,079
Moreover, the

Note : non standard Latin chars (like Greek, Chinese, Hebrew etc) may look garbled on the web page but the subtitles should be perfectly valid and usable once downloaded.

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MAY 1968

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MAY 1972

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EVERYTHING'S

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00:00:48,848 --> 00:00:49,280
ALL

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00:00:49,382 --> 00:00:50,246
RIGHT

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<i>Scene 1, take 1.</i>

7
00:00:54,587 --> 00:00:56,384
<i>Scene 18, take 5.</i>

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<i>Scene 3B, take 2.</i>

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<i>I want to make a film.</i>

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<i>You need money for that.</i>

11
00:02:08,628 --> 00:02:10,687
DIRECTOR

12
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S

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FRAGMENTS OF A
FILM MADE IN 1964

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IN BLACK AND WHITE

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I don't know.

4
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You don't know
if you love me?

5
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Why do you keep talking?

6
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It's so nice like this.

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What's that there?

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Oh, that was when
I was little.

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Once by the seaside...

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I fell over.

11
00:02:05,236 --> 00:

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{40}{160}Downloaded From www.AllSubs.org
{118}{190}Made In America
{335}{431}This film is presented to Nick and Samuel, masters of film and sound.
{503}{598}New train with sleeping berth... Paris to Mont-Blanc.
{646}{694}Paris to Nice.
{1223}{1318}<Kiss Tomorrow Goodbye> by Horace McCoy
{1367}{1463}"Such as happiness".
{1463}{1558}If he is seeking it.
{1558}{1654}"I'm seeking, too".
{1678}{1750}"Or honor".
{1750}{1846}"That's for him".
{1894}{1966}"If he doesn't want it".
{1966}{2062}"I don't want either".
{2062}{2158}"I'm satisfied with it"
{2183}{2230}"I'm satisfied with it"
{2303}{2399}"That silent man"
{2399}{2494}"Is the same as me".
{2494}{2590}"His desire is also mine

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{40}{160}Downloaded From www.AllSubs.org
{0}{0}23.976 FPS
{31}{69}Let it roll!
{69}{117}Military March, take one!
{117}{158}''More and more...
{158}{196}''I strive for simplicity.
{196}{232}''I use worn metaphors.
{234}{266}''It's what's basically eternal.
{268}{297}''For example,|stars resemble eyes...
{299}{362}or death is like sleep.''
{462}{498}Military March, take one.
{745}{827}The Riflemen
{2845}{2884}Michelangelo, come here!
{4253}{4298}Mama! The riflemen! Mama!
{4325}{4363}Shut up, miss! Hands up!
{4397}{4435}Mama!
{4437}{4483}Shut up!
{4651}{4675}Hands up!
{4675}{4701}We did nothing!
{4704}{4728}Move!
{4756}{4778}Over there!
{4811}{4843}On the double!
{6221}{6

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00:01:14,772 --> 00:01:17,866
Y así, en la edad de la fábula...

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después de las inundaciones...

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00:01:19,777 --> 00:01:20,801
REINO 1 INFIERNO

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aparecieron allá en la tierra...

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00:01:24,348 --> 00:01:25,713
hombres armados para el exterminio.

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Son horribles, aquí...

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con su obsesión por cortar cabezas.

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Es asombroso que sobreviviera alguien.

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00:06:36,426 --> 00:06:38,223
"Perdónanos nuestras ofensas...

10
00:06:

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1
00:02:31,040 --> 00:02:32,439
Whenever you're ready...

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00:02:34,160 --> 00:02:36,515
Histories of cinema and television.

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00:02:52,320 --> 00:02:56,552
They could only be told
by someone from the New Wave.

4
00:03:07,280 --> 00:03:10,272
The New Wave is perhaps
the only generation

5
00:03:14,440 --> 00:03:18,513
which came to the fore mid-century
and perhaps mid-cinema.

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Cinema is a 20th-century enterprise.

7
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A 19th-century enterprise
resolved in the 20th century.

8
00:04:01,280 --> 00:04:04,317
You were lucky to arriv

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1
00:00:03,920 --> 00:00:08,280
In tribute to Jean Cocteau

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Charlotte and Her Bloke

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It's me

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I know it's you.
I knew you'd come back.

5
00:00:58,240 --> 00:01:01,920
I said you would.
You can't stay away from me.

6
00:01:03,560 --> 00:01:07,080
You're an idiot. You never listen

7
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I know why you're back.
You've come to say you're sorry.

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It's too late. Whatever it is,
you´d better not say it.

9
00:01:15,760 --> 00:01:16,440
It

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1
00:00:04,938 --> 00:00:07,930
Made In America

2
00:00:13,947 --> 00:00:17,940
This film is presented to Nick and Samuel, masters of film and sound.

3
00:00:20,954 --> 00:00:24,947
New train with sleeping berth...Paris to Mont-Blanc.

4
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Paris to Nice.

5
00:00:50,984 --> 00:00:54,977
<Kiss Tomorrow Goodbye> by Horace McCoy

6
00:00:56,990 --> 00:01:00,994
"Such as happiness".

7
00:01:00,994 --> 00:01:04,998
If he is seeking it.

8
00:01:04,998 --> 00:01:08,991
"I'm seeking, too".

9
00:01:10,003 --> 00:01:13,006
"Or honor".

10
00:01:13,006 --> 00:01:16,

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0
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1
00:01:15,122 --> 00:01:18,216
And so, in the age of fable...

2
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after the floods...

3
00:01:20,127 --> 00:01:21,151
KINGDOM 1 HELL

4
00:01:21,928 --> 00:01:24,123
there appeared on earth...

5
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men armed for extermination.

6
00:03:31,424 --> 00:03:33,016
They're horrible here...

7
00:03:33,326 --> 00:03:35,692
with their obsession for cutting off heads.

8
00:03:36,930 --> 00:03:40,798
It's amazing that anyone's survived.

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00:06:36,776 --> 00:06:38,573
"Forgive us our trespasses...

10
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"as w

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The workers are unable to create political entia

2
00:00:09,442 --> 00:00:11,444
In order to improve their standard of living,

3
00:00:11,444 --> 00:00:15,437
They don't even have enough room for standing.

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00:00:16,449 --> 00:00:20,453
In the forseeable future,

5
00:00:20,453 --> 00:00:24,457
For theirselves' interest,

6
00:00:24,457 --> 00:00:28,461
Every kind of revolutions will happen.

7
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The capitalism in europe is in conjunctures.

8
00:00:36,469 --> 00:00:40,462
The proletariate can't give out its rights.

9
00:00:48,

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THE LITTLE SOLDIER

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Narrator: I'm too old to play
an active role.

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It's time to think things over.

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Geneva.

5
00:01:08,140 --> 00:01:10,580
Lake Leman divides the city
in 2 parts.

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00:01:10,650 --> 00:01:15,140
3 days ago, secret agents
declared a deadly war open...

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here on neutral territory.

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0.

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I thought of myself
suddenly...

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00:01:39,110 --> 00:01:4

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There was a short film narrated

2
00:03:27,650 --> 00:03:29,003
by Jean Cocteau.

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He spoke about how a film was made.

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The voice said:

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Red light. I entered

6
00:03:37,010 --> 00:03:38,159
illicitly.

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When I was born,

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00:04:57,570 --> 00:05:00,926
did I also pass
through my mother illicitly?

9
00:05:01,690 --> 00:05:03,646
I wanted to be an engineer.

10
00:05:03,850 --> 00:05:06,569
Have I even managed
to be ingenious?

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00:00:01,787 --> 00:00:06,065
Esta película está
dedicada a MONOGRAM PICTURES.

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00:00:07,907 --> 00:00:12,458
AL FINAL DE LA ESCAPADA

3
00:00:14,887 --> 00:00:17,143
Despues de todo,
soy un tonto.

4
00:00:18,247 --> 00:00:21,883
¡Pero tengo que hacerlo!
¡Debo hacerlo!

5
00:01:26,707 --> 00:01:29,141
¡Michel, llévame contigo!

6
00:01:29,207 --> 00:01:30,915
-¿Qué hora?
- Once menos diez.

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No. ¡Adiós!

8
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¡Me largo!

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Buenas noches,

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mi amor

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In a sense,
fear is the daughter of God,

2
00:00:17,250 --> 00:00:19,582
redeemed on Good Friday night.
She's not beautiful,

3
00:00:19,986 --> 00:00:23,683
mocked, cursed and disowned by all.

4
00:00:24,090 --> 00:00:25,990
But don't get it wrong,

5
00:00:26,393 --> 00:00:29,590
she watches over all mortal agony,
she intercedes for mankind.

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00:00:29,996 --> 00:00:32,829
For there's a rule and an exception.

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Culture is the rule,

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and art is the exception.

9
00:00:38,838 --> 00:00:42,205

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1
00:01:21,360 --> 00:01:26,195
"Past the age of fifty, Velasquez
stopped painting definite things.

2
00:01:26,440 --> 00:01:30,149
He hovered around objects
with the air, with twilight,

3
00:01:30,400 --> 00:01:32,914
catching in his shadows
and airy backgrounds...

4
00:01:33,160 --> 00:01:34,752
the palpitations of colour...

5
00:01:35,000 --> 00:01:39,437
which formed the invisible core
of his silent symphony.

6
00:01:39,680 --> 00:01:41,875
Henceforth, he captured only...

7
00:01:42,120 --> 00:01:46,830
those mysterious interpenetrations
of shape and tone that form a constant,

8

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1
00:02:26,240 --> 00:02:27,798
Let me talk to you.

2
00:02:36,440 --> 00:02:38,431
At least, let me talk to you.

3
00:02:40,120 --> 00:02:43,032
Wait... but wait, they're here.

4
00:02:43,200 --> 00:02:44,758
Listen, Jerzy, come...

5
00:02:45,560 --> 00:02:47,516
Come on, stop!

6
00:03:38,300 --> 00:03:40,973
What's this story,
Miss Lucachevsky?

7
00:03:42,620 --> 00:03:46,408
It's not a lie,
but something made up,

8
00:03:47,260 --> 00:03:49,410
which is never exactly the truth,

9
00:03:49,900 --> 00:03:51,970
nor is it the opposite,

10
00:03:52,140 --> 00:03:55,928
but whi

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1
00:00:46,379 --> 00:00:49,780
On page five, the agreement says:

2
00:00:51,284 --> 00:00:53,013
The producers must examine

3
00:00:53,420 --> 00:00:55,149
any object or subject,

4
00:00:55,555 --> 00:00:57,386
ordinary or extraordinary,

5
00:00:57,791 --> 00:00:59,725
in any field,

6
00:01:00,126 --> 00:01:02,356
according to their actions or ideas,

7
00:01:02,762 --> 00:01:04,992
making sure to identify

8
00:01:05,365 --> 00:01:08,266
any existing trace

9
00:01:08,635 --> 00:01:10,296
of what we have agreed to call art...

10
00:01:11,304 --> 00:01:15,138
...to finally discov

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1
00:01:14,772 --> 00:01:17,866
Y así, en la edad de la fábula...

2
00:01:18,709 --> 00:01:19,698
después de las inundaciones...

3
00:01:19,777 --> 00:01:20,801
REINO 1 INFIERNO

4
00:01:21,578 --> 00:01:23,773
aparecieron allá en la tierra...

5
00:01:24,348 --> 00:01:25,713
hombres armados para el exterminio.

6
00:03:31,074 --> 00:03:32,666
Son horribles, aquí...

7
00:03:32,976 --> 00:03:35,342
con su obsesión por cortar cabezas.

8
00:03:36,580 --> 00:03:40,448
Es asombroso que sobreviviera alguien.

9
00:06:36,426 --> 00:06:38,223
"Perdónanos nuestras ofensas...

10
00:06:

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1
00:02:44,129 --> 00:02:48,384
<i>Permettez-moi de me présenter</i>

2
00:02:49,218 --> 00:02:52,805
<i>Je suis un homme riche,
un homme de goût</i>

3
00:02:55,266 --> 00:02:59,436
<i>Voilà longtemps que je rôde,</i>

4
00:02:59,895 --> 00:03:03,732
<i>j'ai volé à plus d'un
son âme et sa foi</i>

5
00:03:06,193 --> 00:03:09,488
<i>J'étais là quand Jésus-Christ</i>

6
00:03:10,823 --> 00:03:13,784
<i>douta et souffrit,</i>

7
00:03:19,665 --> 00:03:24,628
<i>quand Pilate s'en lava les mains</i>

8
00:03:29,925 --> 00:03:32,386
<i>Ravi de vous rencontrer</i>

9
00:03:32,595 --> 0

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{40}{160}Downloaded From www.AllSubs.org
{1}{1}25.000
{110}{193}BONTONFILM|uvádí
{223}{311}P O H R D � N �
{486}{568}Film vznikl podle románu|Alberta Moravii.
{645}{729}Vystupuje v nìm Brigitte Bardot|a Michel Piccoli.
{815}{888}Dále Jack Palance a Georgia Moll.
{983}{1046}A Fritz Lang.
{1150}{1226}Filmové zábìry jsou dílem|Raoula Coutarda.
{1296}{1372}Georges Delerue složil hudbu.
{1444}{1521}Zvuk nahrál William Sibell.
{1585}{1653}Støih Agnes Guillemot.
{1720}{1828}O režii se starali Philippe|Dussard a Carlo Lastricati.
{1870}{1952}Je to film Jean-Luca Godarda.
{2009}{2134}Byl natoèen jako širokoúhlý a|barevnì zpracován GTC v Joinville.
{2157}{2216}Pro s

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1
00:00:28,924 --> 00:00:33,441
FILM NA POSPAS VESM?RU VYDAN?

2
00:00:35,000 --> 00:00:38,638
Pro tebe. Z kancel??e. Zavolej potom matce,
abys zkontroloval, co se d?je na klinice

3
00:00:38,837 --> 00:00:42,635
- U? jsem ti ??kal, ?e jsem to ud?lal
- Pak ti asi nerozum?la

4
00:00:51,668 --> 00:00:54,466
A? Ronald poveze tv?ho otce
dom? z nemocnice...

5
00:00:54,665 --> 00:00:57,304
...bylo by fajn, kdyby oba
zahynuli p?i nehod?

6
00:00:58,183 --> 00:01:01,741
FILM NALEZEN? NA SKL?DCE

7
00:01:02,100 --> 00:01:06,297
- Dal si opravit ty brzdy?
- Ne, za??dila jsem to tak, aby zapomn?l

8

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1
00:00:15,067 --> 00:00:17,283
LA INDUSTRIA F?LMICA
ARGOS SVENKS MUESTRA...

2
00:00:18,105 --> 00:00:20,026
...UNA DE SUS 121 PEL?CULAS
EN BLANCO Y NEGRO...

3
00:00:20,778 --> 00:00:22,854
...DE IDIOMA FRANC?S
QUE AUN EXISTEN.

4
00:00:25,352 --> 00:00:27,791
MASCULINO

5
00:00:28,763 --> 00:00:31,256
FEMENINO.
ACCIONES PRECISAS.

6
00:00:32,978 --> 00:00:34,816
"Nunca se cruzan...

7
00:00:37,988 --> 00:00:40,184
...dos miradas...

8
00:00:42,505 --> 00:00:45,147
...sin dejar huella...

9
00:00:47,841 --> 00:00:48,769
...de...

10
00:00:50,138 --> 00:00:51,773
...vida y un silen

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00:01:19:SZALONY PIOTRU?
00:01:20:Velasquez po przekroczeniu 50 lat|przesta? malowa? wszystko wyra?nie.
00:01:25:Kr?ci? si? wok?? przedmiot?w,|razem z powietrzem i zmierzchem
00:01:29:dostrzegaj?c w ich cieniach i przewiewnych t?ach...
00:01:32:...dr?enie koloru...
00:01:34:...kt?re tworzy?o niewidzialna istot?|jego milcz?cej symfonii.
00:01:38:Odt?d dostrzega? jedynie...
00:01:40:...tajemnicze interpretacje kszta?tu|i ton tworz?cy niezmienny,
00:01:46:sekretny post?p
00:01:48:nie zdradzony i nie przerwany przez ?aden wstrz?s czy zgrzyt.
00:01:54:Przestrze? panuje ostatecznie.
00:01:56:Jest jak fala sun?ca po tafli jeziora,
00:02:00:wch?aniaj?ca swoje dostrzegalne emanacje,|okre?

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1
00:01:17,811 --> 00:01:23,716
BAND OF OUTSIDERS

2
00:02:13,333 --> 00:02:18,327
WITH THE LAST (?) SCORE EVERWRITTEN
FORTHE SCREEN BY MICHEL LEGRAND

3
00:03:01,848 --> 00:03:05,409
- We almost there?
- Yeah. Straight ahead.

4
00:03:09,822 --> 00:03:12,017
Any news from Thompson & Sons?

5
00:03:12,492 --> 00:03:14,050
Nothing.

6
00:03:14,160 --> 00:03:16,253
They stopped hiring yesterday.

7
00:03:16,596 --> 00:03:18,860
They say business is bad.

8
00:03:22,635 --> 00:03:24,330
What's with you?

9
00:03:25,271 --> 00:03:26,761
You scared?

10
00:03:27,807 --> 00:03:30,367
You th

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1
00:00:19,409 --> 00:00:24,867
<i>When my father's father's father
had a difficult task to accomplish,</i>

2
00:00:25,188 --> 00:00:28,529
<i>he went to a certain
place in the forest,</i>

3
00:00:29,079 --> 00:00:31,063
<i>lit a fire,</i>

4
00:00:31,688 --> 00:00:35,121
<i>and immersed himself
in silent prayer.</i>

5
00:00:35,837 --> 00:00:39,454
<i>And what he had
to do was done.</i>

6
00:00:41,945 --> 00:00:46,495
<i>When my father's father was
confronted with the same task,</i>

7
00:00:46,628 --> 00:00:48,078
BASED ON A LEGEND

8
00:00:48,195 --> 00:00:51,649
<i>he went to the sa

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1
00:00:27,918 --> 00:00:34,221
MY LIFE TO LIVE
A film in twelve scenes

2
00:02:30,573 --> 00:02:36,170
Lend yourself too her, and give
yourself to yourself. Montaigne

3
00:02:40,317 --> 00:02:46,984
A cafe.Nana wants to leave Paul.
The pin-table

4
00:02:51,628 --> 00:02:53,220
Do you really like the guy?

5
00:02:55,165 --> 00:02:59,101
I don`t know. I wonder what
I`m thinking about?

6
00:02:59,769 --> 00:03:03,102
Has he more money than me?
- What do you care?

7
00:03:13,416 --> 00:03:14,849
What`s the matter?

8
00:03:15,318 --> 00:03:18,719
Nothing; I wanted to be very precise

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1
00:00:48,501 --> 00:00:49,501
PREZIR

2
00:00:59,700 --> 00:01:02,100
Po noveli Alberta Moravije.

3
00:01:06,300 --> 00:01:08,600
Igraju Brižit Bardo
i Mišel Pikoli.

4
00:01:13,500 --> 00:01:15,800
Džek Palans i Žoržia Mol.

5
00:01:20,600 --> 00:01:22,200
I Fric Lang.

6
00:01:27,800 --> 00:01:30,000
Raul Kutar je uradio fotografiju.

7
00:01:33,800 --> 00:01:35,900
Žorž Deleri je napisao muziku.

8
00:01:40,200 --> 00:01:42,700
Zvuk je snimio Vilijam Sivel.

9
00:01:46,100 --> 00:01:48,200
Agnes Giljemo je uradila izdavanje.

10
00:01:51,800 --> 00:01:55,100
Filip Dusar i

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1
00:00:17,095 --> 00:00:21,695
2 ou 3 Coisas Que Eu Sei Sobre Ela

2
00:00:28,695 --> 00:00:32,175
ELA: A regi?o parisiense.

3
00:00:33,575 --> 00:00:37,535
Em 19 de Agosto foi publicado um ato

4
00:00:37,735 --> 00:00:41,695
relativo ? organiza??o
governamental da regi?o de Paris.

5
00:00:58,655 --> 00:01:00,615
Dois dias depois, Paul Delouvrier

6
00:01:00,815 --> 00:01:04,015
foi nomeado monitor
da regi?o de Paris

7
00:01:04,415 --> 00:01:07,535
a qual, conforme o comunicado
oficial, agora se tornou

8
00:01:07,735 --> 00:01:11,375
uma nova e distinta
unidade administrativa.

9
0

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1
00:02:19,640 --> 00:02:21,198
¡Déjame hablarte!

2
00:02:29,840 --> 00:02:31,831
Al menos, déjame hablar contigo.

3
00:02:33,520 --> 00:02:36,432
¡Espera!...
Espera, ellos están aquí.

4
00:02:36,600 --> 00:02:38,158
Escucha, Jerzy, ven...

5
00:02:38,960 --> 00:02:40,916
¡Vamos, detente!

6
00:03:26,200 --> 00:03:28,873
¿Qué historia es ésta,
Srta. Lucachevsky?

7
00:03:30,520 --> 00:03:34,308
No es una mentira,
sino algo imaginado...

8
00:03:35,160 --> 00:03:37,310
que nunca es la verdad exacta...

9
00:03:37,800 --> 00:03:39,870
pero no es tampoco su contrario,

10
00

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1
00:00:24,991 --> 00:00:29,316
Four stories by four writers who
confine themselves to recounting

2
00:00:29,471 --> 00:00:32,127
the gay beginning of
the end of the world.

3
00:00:47,954 --> 00:00:52,794
The modern man is very often
oppressed by indescribable anguish,

4
00:00:52,966 --> 00:00:57,392
and facing the daily problems his
unconscious mind suggests him

5
00:00:57,513 --> 00:01:01,627
a refuge which had once protected
and nurtured him: the mother's womb.

6
00:01:01,833 --> 00:01:04,756
For this man who has lost
his own personality,

7
00:01:04,927 --> 00:01:09,470
even love bec

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1
00:00:04,900 --> 00:00:07,736
Made In America

2
00:00:13,530 --> 00:00:17,365
This film is presented to
Nick and Samuel, masters of film and sound.

3
00:00:20,642 --> 00:00:27,577
New train with sleeping berth...
Paris to Mont-Blanc.

4
00:00:27,796 --> 00:00:30,013
Paris to Nice.

5
00:00:49,049 --> 00:00:52,884
<Kiss Tomorrow Goodbye>
by Horace McCoy

6
00:00:54,803 --> 00:00:58,638
"Such as happiness".

7
00:00:58,638 --> 00:01:02,473
If he is seeking it.

8
00:01:02,474 --> 00:01:06,309
"I'm seeking, too".

9
00:01:07,269 --> 00:01:10,145
"Or honor".

10
00:01:10,145 --> 00:01

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1
00:00:01,180 --> 00:00:05,779
V?t?zn? film festivalu "Zlat? lev"
v Ben?tk?ch v roce 1983

2
00:00:05,970 --> 00:00:09,970
A speci?ln?ho ocen?n? za zvuk a kinematografii

3
00:00:22,238 --> 00:00:26,238
Je to ve mn?, je to v tob?, vytv??? to stra?liv? vlny

4
00:00:26,402 --> 00:00:30,002
K?estn? jm?no: CARMEN

5
00:00:30,497 --> 00:00:33,497
Nev?m jak mnoho, ale v?m, ?e nevinnost
nevl?dne nad t?mhle sv?tem...

6
00:00:38,800 --> 00:00:43,300
P?jdeme d?l, jestli to p?jde

7
00:00:43,632 --> 00:00:47,232
Nem?m strach, ale to proto?e jsem nikdy

8
00:00:47,271 --> 00:00:49,971
nikdy nev?d?la j